After the success in Brazil and Japan, the documentary “From the Samurai to MMA, 500 years of fighting” is finally available in Amazon Prime video to the USA and UK (version with subtitles or dubbed).

The series traces the history of Jiu Jitsu from feudal Japan, through the revolution started by Jigoro Kano, Mitsuyo Maeda and then by the Gracie family in Brazil, to the popularization of the sport around the world through the creation of UFC.

Divided into 5 chapters of 30 minutes, the story is narrated by protagonists and renowned historians. Royce Gracie, Marco Ruas, João Alberto Barreto, Art Davie, Rodrigo Minotauro, Renzo Gracie, Demian Maia, Reila Gracie, Pedro Valente, Royler Gracie, Fabio Gurgel, Mo Jassim and Yuki Nakai are among the 54 characters interviewed in the documentary.

Created by the journalist Marcelo Alonso to Combate channel, the serie shows in detail the importance of the Gracie Dynasty and its main disciples and opponents in the construction of Jiu-Jitsu and MMA.

“I have no doubt that It´s the most complete documentary ever made about the origins of Jiu-Jitsu and MMA”, said master João Alberto Barreto, red belt of Helio Gracie, after the cinema release premiere in Brazil on 2023. First UFC champion in middleweight division, Murilo Bustamante, were also present. “Anyone who lives from Jiu-Jitsu or MMA must learns about the origins of the sport”.

Grande mestre João Alberto Barreto (ao centro) esteve presente no lançamento da série na Barra da Tijuca. Foto: Divulgação

Idealizada por Marcelo Alonso e dirigida por Bruno Duarte, a série televisiva “Dos samurais ao MMA” conta em cinco episódios como o Jiu-Jitsu nasceu no Japão para conquistar status de filosofia, terapia, evento milionário como o UFC e um esporte mundialmente conhecido. O episódio de estreia vai ao ar nesta segunda 21 de agosto, às 19h30, no canal Combate.

Em cinco episódios, a série procura contar a origem de tudo isso, dos guerreiros do Japão feudal a Jigoro Kano, Mitsuyo Maeda e os irmãos Carlos e Helio Gracie. A série fecha com os principais capítulos que levaram a criação do UFC, ADCC e a explosão mundial do Jiu-Jitsu esportivo via IBJJF. Para remontar tal saga, Alonso escalou diversos historiadores de importância fundamental na construção da série, como Reila Gracie, Elton Silva e Eduardo Correia.

A série traz depoimentos históricos e raridades colhidas em jornais, fotos e vídeos do desenvolvimento marcial. O episódio de estreia mostra as três eras dos samurais: Sengoku, Tokugawa e Meiji. A seguir, detalha a importância de Jigoro Kano e do menos conhecido Mataemon Tanabe na evolução das lutas de kimono, além dos desafios de Conde Koma pelo mundo até se instalar em Belém, onde conheceu Carlos Gracie. Na sequência, o segundo episódio narra a chegada dos irmãos Gracie ao Rio de Janeiro e a abertura da primeira academia. Relembra ainda a briga que culminou na prisão deles e, posteriormente, na absolvição pelo então presidente Getúlio Vargas. O episódio termina com a histórica luta de 3h45 entre mestre Helio Gracie e seu aluno Valdemar Santana.

O terceiro episódio mostra como a geração dos anos 1960 possuía ídolos oriundos de dois programas que já mostravam desafios de vale-tudo ao vivo: o “Heróis do Ringue” no Rio de Janeiro e o ‘Ring Torres’ no Nordeste. Com a chegada de Rolls Gracie, considerado o membro da família que revolucionou o Jiu-Jitsu, a evolução das técnicas e estudo das quedas estavam garantidos.

O penúltimo capítulo foca na saga de Rorion Gracie e a fundação do UFC e do Pride. A série encerra mostrando a explosão do esporte, a partir de histórias de lutadores como Yuki Nakai e do xeque Tahnoon Byn Zayed.

A série teve lançamento em gala em sessão de cinema apinhada na Barra, no último dia 8 de agosto, com professores e treinadores do Jiu-Jistu e da luta livre todos juntos e embolados. Marcaram presenças craques do time Carlson Gracie, o faixa-vermelha e pioneiro do vale-tudo na TV João Alberto Barreto, o patriarca da família Reyson Gracie, mestres Fernando Pinduka e Carlos Rosado e muitos astros e ex-campeões do Pride e UFC.

Confira os horários:

“Dos samurais ao MMA”, sempre às segundas-feiras no Combate:

21/8 – 19h30 – Episódio 1
28/8 – 19h – Episódio 2
04/9 – 19h30 – Episódio 3
11/9 – 19h30 – Episódio 4
18/9 – 19h30 – Episódio 5

Brazilian champion Bruno Frazatto sinks a triangle. Ivan Trindade

[ Translated from an article by Willian von Söhsten – journalist and student of semiotics; black-belt under Cícero Costha and teacher at Team Nogueira in Ribeirão Preto, Brazil ]

The triangle isn’t a move exclusive to BJJ, or even an invention of ours. But the technique of wrapping an opponent’s neck with the legs has become a sort of calling card of the gentle art. For some reason, our beloved triangle found on Brazilian soil the ideal conditions to spread and be perfected. Some of these reasons? Its effectiveness and power to tame any big attacker.

In a recent article published on the Valente brothers’ website, Julian Ortega remembered the origin of the technique.

In judo it is known as sankaku jime (‘choke through triangle’). It’s hard to say who invented the move, but research points to Master Tsunetane Oda, one of Jigoro Kano’s followers who liked training on the ground the most. Master Oda is also one of the chief names in Kosen judo — a branch more focused on ground fighting, but connected to the Kodokan, like a school within a school.

The triangle likely began its journey in BJJ dojos thanks to the restlessness of Rolls Gracie, who, always hungry for new techniques, may have discovered it in an old judo book.

Grandmaster Pedro Valente was one who attested to that. He said he had never seen the move performed by a member of the Gracie family before the 70s, despite newspaper records showing that it was known by Japanese fighters who lived in Brazil, like Geo Omori, Takeo Yano and Yasuichi Ono.

Ono even fought Helio Gracie in 1935, and the paper that announced the match showed a picture of Ono doing the leg choke in a training session. He and Helio drew.

One of the oldest videos where the triangle is depicted is from 1954. The scene shows Master Tsunetane Oda applying a large number of variations to the technique. It is possible to notice that, in the execution of the move with the back on the ground, the opponent’s arm is not crossed, but straight, ready for an armbar. Many subsequent videos show the triangle being performed in the same way.

Therefore, all signs point to BJJ being responsible for refining the move, as the act of crossing one’s opponent’s arm reduces the space between the shoulder and neck, considerably increasing the pressure applied by the legs around the throat.

The triangle would eventually become famous by the legs of Royce Gracie, when he caught Dan Severn’s neck at UFC 4 in 1994. The 79kg fighter choking his 115kg counterpart caused quite a stir. Since then, the triangle has been a trademark of BJJ fighters worldwide.

Faixa-preta campeão brasileiro, o guardeiro Bruno Frazatto encaixa o triângulo. Foto: Ivan Trindade.

[  Texto: Willian von Söhsten – Jornalista com pós-graduação em semiótica, faixa-preta de Cícero Costha e professor de Jiu-Jitsu da Team Nogueira em Ribeirão Preto, SP  ]

O triângulo não é um golpe exclusivo do Jiu-Jitsu brasileiro, ou sequer é invenção nossa. Mas a técnica de envolver o pescoço do oponente com as pernas passou a ser um grande cartão de visitas da arte suave. Por algum motivo, o nosso amado triângulo encontrou em solo brasileiro as condições ideais para proliferar, e ser aperfeiçoado. Alguns dos motivos? Sua eficácia e sua capacidade de amansar qualquer ofensor grandalhão.

Em artigo recente publicado no site dos irmãos Valente, o faixa-preta Julian Ortega relembrou a origem da técnica.

No judô, ele é conhecido como sankaku jime, ou “estrangulamento através do triângulo” na tradução. É difícil dizer quem de fato inventou o golpe, mas pesquisas apontam para o mestre Tsunetane Oda, um dos seguidores de Jigoro Kano que mais gostava de treinar no solo. Mestre Oda é também um dos principais nomes no Kosen Judô, uma vertente mais focada nas lutas de chão, porém ligada a Kodokan, como uma escola dentro de outra.

Ao que tudo indica, o triângulo começou sua trajetória nos dojôs de Jiu-Jitsu graças à inquietude de Rolls Gracie, que sempre ávido por aprender novas técnicas teria redescoberto o movimento num livro antigo de judô.

Grande mestre Pedro Valente era um que corroborava com a história: o faixa-vermelha afirmava que jamais vira o golpe ser executado pelos membros da família Gracie antes da década de 1970, apesar de registros em jornais mostrarem que a técnica era de fato conhecida por lutadores japoneses que viviam no Brasil, como Geo Omori, Takeo Yano e Yasuichi Ono.

Ono chegou a enfrentar Helio Gracie em 1935, e o jornal que anunciava o combate veiculava foto do japonês aplicando o estrangulamento com as pernas durante um de seus treinos. A luta entre Ono e Helio, por sinal, terminou empatada.

Um dos vídeos mais antigos onde o triângulo é documentado data de 1954. A cena mostra o mestre Tsunetane Oda aplicando um grande número de variações da técnica. É possível perceber que na execução do movimento com as costas no chão o braço do adversário não fica cruzado, mas reto, pronto para se aplicar uma chave de braço. Muitos vídeos posteriores a este mostram o triângulo sendo executado da mesma forma.

Por isso, ao que tudo indica, o Jiu-Jitsu brasileiro foi o responsável por refinar o golpe, uma vez que o ato de cruzar o braço do adversário diminui o espaço entre o ombro e o pescoço, aumentando consideravelmente a pressão exercida pelas pernas no entorno da garganta.

A fama viria mesmo por obra de Royce Gracie, quando este enlaçou Dan Severn no UFC 4, em 1994, deixando o mundo chocado ao ver o jovem atleta de 79kg esganar o veterano de 115kg com as pernas. Desde então o triângulo tem sido marca registrada dos lutadores de Jiu-Jitsu mundo afora.

E você, amigo leitor, sabe aplicar quantas variações deste temível golpe ancestral?

*** Artigo publicado originalmente em GRACIEMAG #241. Para não perder as melhores reportagens sobre o passado e o presente do Jiu-Jitsu, assine logo sua revista favorita, aqui.

E para homenagear o judô, nós separamos o vídeo abaixo para você, atleta do Jiu-Jitsu, conferir detalhes da aplicação de 30 quedas do judô e melhorar hoje seu jogo em pé.

Assista, estude e treine sempre!

Sixty years ago, on October 23, 1951, arguably the most important fight in Jiu-Jitsu history took place in Rio de Janeiro. The fight was held at Maracanã Stadium, the largest in the world at the time, built to host the 1950 soccer World Cup and with a capacity of over two hundred thousand people.Understanding the magnitude of Gracie vs. Kimura requires a look back at Helio Gracie’s victories against Japanese champions and the Gracie brothers’ resistance to the imposition of judo practiced as a sport in place of training Jiu-Jitsu as martial art.

Helio and Kimura

At the end of the 19th century, Japanese immigrants began to travel the world and spread the ancient fighting system denominated Jiu-Jitsu. This initial dissemination was done in a disorganized fashion, as Japanese practitioners took part in exhibitions and taught their own style to international students throughout the world. As the Japanese government realized the tremendous international interest in their national martial art, they appointed the founder of the Kodokan Institute, Jigoro Kano, to organize Jiu-Jitsu as a sport and take control of the international dissemination of Jiu-Jitsu, which had recently been renamed “judo” by Jigoro Kano.

Brazil represented one of the greatest centers for Jiu-Jitsu dissemination since a vast number of Japanese citizens migrated from Japan to Brazil. This exodus of Japanese immigrants occurred after a treaty was signed by the Japanese and Brazilian governments to bring Japanese workers to help at Brazilian coffee plantations in the state of São Paulo. Today, Brazil has the highest number of Japanese people outside of Japan. In order for the Japanese Jiu-Jitsu fighters to maintain their supremacy abroad, they needed to dominate local practitioners on the mat. In Brazil, this was made very difficult by a young and skinny Brazilian Jiu-Jitsu fighter named Helio Gracie. Between 1932 and 1936, Helio fought the best Japanese fighters to visit Brazil and remained undefeated. For instance, he defeated Masagoishi by armlock and famous Japanese champion Taro Miyake by choke.

These victories caused a delegation of Japanese masters including Sumiyaki Kotani, one of the highest authorities in Japan, to come to Brazil and promote Helio Gracie to fourth-degree black belt in judo and attempt to convince him and his brothers to follow the Japanese modern sportive system – judo. They also invited Helio to participate in a judo tournament in São Paulo in order to introduce him to the modern rules, which included a point system. This represented a substantial alteration of the original system they had learned from Mitsuyo Maeda, which predicated that a match could only be decided by submission or loss of consciousness. The new judo rules kept the matches standing and minimized the importance of ground fighting.

In addition, the new Japanese Jiu-Jitsu, which they called judo, de-emphasized self-defense techniques and favored the practice of Jiu-Jitsu only as a sport. The Gracie brothers did not feel that the Japanese were technically superior to them, given their observations and Helio’s victories, and were very successful teaching their own modernized and efficient method of street self-defense. Consequently, they decided to maintain their independence from the Japanese and continue to teach their own method of Jiu-Jitsu. As the Japanese colony in Brazil tried to promote the sport of judo, they ran into resistance from the Gracie brothers, who accused them of hiding the martial secrets of Jiu-Jitsu from international students. The Japanese felt that the only way to quiet the annoying opposition by the Gracies was to find someone who could challenge and defeat Helio Gracie, who had retired in 1938 due to a lack of competent opponents.

So in November of 1950, Helio Gracie was asked by a Japanese emissary if he would accept an offer to face a Japanese champion from Japan. When he responded, “It would be a pleasure,” he suspected that soon he would be surprised by the visit of a Japanese champion. This occurred on July 18, 1951, when local Japenese-language newspaper “São Paulo Shimbum” announced that the World Champion, Masahiko Kimura, who is still considered by many to be the best judo fighter of all time, was coming to Brazil to fight. The newspaper invested the equivalent of more than US$ 100,000 to bring the Japanese team over. One week later, on October 25, Kimura arrived in Rio accompanied by sixth-degree black belt Yamaguchi and fifth-degree black belt Yukio Kato, who he described as being the second and third best judokas in Japan. On that Wednesday afternoon, Helio Gracie was teaching class and received a phone call from the largest Brazilian newspaper, inviting him to come meet the Japanese champions who were on their way from the airport for an interview. Helio Gracie rushed to the headquarters of “Diario da Noite” and arrived in time to meet Kimura. Both fighters accepted the idea of a match as proposed by the journalists. Kimura was supposed to go to São Paulo the next day for a series of demonstrations and Helio promised to go there with his brother Carlos Gracie in order to discuss the details for their match. On Friday, August 10, the Gracie brothers met with the Japanese delegation and were told that instead of Kimura, Helio would first have to face Yukio Kato, a 22-year-old weighing 154lbs. They argued that in the case of a defeat against Kimura, Helio would use the weight difference of more than 70 lbs as an excuse. Against Kato, who was only 15 lbs heavier, the Japanese fighter would be able to establish the superiority of their method beyond any doubt. In light of the Japanese demands, Helio accepted the challenge and a match was scheduled for September 6 in Rio de Janeiro.

On Thursday, September 6, 1951, Helio Gracie and Yukio Kato met at Maracana stadium, and the match was declared a draw after three 10-minute rounds. Kato was more aggressive in the first round and attempted to knock out Gracie with powerful throwing techniques. Helio demonstrated great defense and started to take the offensive in the second round by bringing the fight to the ground. Although Helio had sustained a broken rib two weeks before the fight, he dominated the third round and only narrowly missed victory (instead of the draw that the match was declared) because Kato escaped off the mat three times to avoid Helio’s chokes. Kato became so impressed with Helio’s techniques that he said after the fight that Helio could consider himself a world champion in groundfighting since he felt that even at the Kodokan he wouldn’t find a fighter of his weight who could defeat him on the ground.

Not satisfied with the result, Kato challenged Helio to a remach in São Paulo. This time the match would take place in a ring with ropes to avoid any escapes. On Saturday, October 29 Kato and Gracie fought for the second time, at Pacaembu Gymnasium. Fighting in a ring, Kato could not escape and, after a couple of spectacular throws, attempted to finish the fight on the ground with a choke while passing the guard. Gracie felt the pressure, as he admitted after the match, but managed to roll out of it. Using his flexibility, Gracie recovered the guard and applied a front choke from his back that rendered Kato unconscious eight minutes into the first round. The result of this fight repeesented a glorious moment in Helio Gracie’s career, as he proved that his Jiu-Jitsu could not be considered inferior to the Japanese.

To restore the tarnished reputation of judo, Kimura finally challenged Helio Gracie to a match and promised to win “on the first grip” with a devastating throw. Helio responded that he could resist any throw and promised not to pull guard in order to prove his point. Kimura then said that if Gracie lasted more than three minutes he could consider himself the winner. And so on Tuesday, October 23, 1951, Helio Gracie stepped onto the canvas tarp covering part of the Maracana Stadium soccer pitch, to face the best heavyweight in the history of judo, Masahiko Kimura. Helio weighed in at 139 lbs against Kimura’s 210lbs. Kimura was four years younger and 71 lbs havier than Helio Gracie. Kimura immediately threw Gracie with an osotogari and did not encounter much difficulty in passing Gracie’s open guard. However, once he landed in side-control he could not find an opening through which to finish the fight. In an interview before the fight, Helio Gracie demonstrated Kimura’s favorite armlock, which is known today as the Kimura lock, and said that he was training rigorously to defend it. And indeed he stopped it several times. But Kimura was very experienced and knew that if he kept using his strength advantage to force the lock on Gracie’s left arm, eventually he would fatigue and give in. This process only worked in the third minute of the second round, when Kimura was able to establish his grip from the North-South position. Kimura then positioned himself to finish the lock and slowly applied pressure. Helio’s amazing flexibility created a scary scene that made it seem that his arm could break at any moment. Thinking that his brother would not tap out, Carlos Gracie ran onto the mat and pushed Kimura, interrupting the fight. Carlos was restrained by an athletic commission official, and the referee indicated that the fight should continue since Helio didn’t tap. Helio, however, asked the referee to raise Kimura’s arm, since he would not contradict his brother’s decision to stop the fight. As one can see by examining all the newspapers of the time, Helio Gracie’s arm was not broken as Kimura would claim many years later in his autobiography. In fact, there is a picture of Gracie in the shower moments after the fight, with his left hand on his head, clearly demonstrating that his left arm was not injured. After the fight, Kimura publically recognized the uniqueness of Helio Gracie’s technique on the ground and invited him to come teach in Japan.

Anyone who knows Jiu-Jitsu understands the extreme difficulty of withstanding a technical opponent with a 70-pound weight advantage for 13 minutes. This amazing feat, which was recognized by Kimura himself, was only possible due to the revolutionary defensive strategy developed by Helio Gracie, which prevented Kimura form executing his finishing holds even though he always held dominant positions. Although Gracie was defeated, this fight represented the definitive independence of Gracie Jiu-Jitsu from Japan. From that point forward, Helio Gracie was sure that his reinvention of Jiu-Jitsu was superior in many ways to the original Japanese method, and he and his family forged ahead with the process that led to the international acceptance of Gracie Jiu-Jitsu’s superiority as the most complete and effective fighting system in the world.

Keiko Fukuda, a ninth-dan judoka, is the highest ranking woman in the Japanese sport. The 98-year-old master is the last living female disciple of judo’s founder, Jigoro Kano. This is the trailer for the documentary about her life still in the post-production stage called “Be Strong, Be Gentle, Be Beautiful”.

 Click here for more on the documentary.

Keiko Fukuda, nono dan de judô, é a mulher mais graduada da história do esporte japonês. A mestra de 98 anos é a última discípula viva do fundador do judô, Jigoro Kano. Este é um trailer do documentário sobre ela, ainda em fase de pós-produção, chamado “Be Strong, Be Gentle, Be Beautiful” (Seja forte, seja suave, seja bela).

Para saber mais sobre o filme, clique aqui.