Ricardo de la Riva e sua famigerada guarda. Foto: Gustavo Aragão/GRACIEMAG

[ Por: Willian von Söhsten * ]

Costumo brincar com meus alunos que há tantos golpes no Jiu-Jitsu que eu poderia escrever folhas e folhas de um caderno apenas com seus nomes. São posições que foram recepcionadas pelo Jiu-Jitsu brasileiro com seus títulos originais como o katagame, nomes americanizados como o armlock ou abrasileirados como a baiana e a americana.

Porém, há golpes que trazem consigo uma história ainda mais interessante, uma ligação com lutadores que, de uma forma ou de outra, causaram boa impressão perante a dinastia Gracie e seus seguidores.

O primeiro é a famosa chave kimura. Conhecida originalmente como ude garami, foi imediatamente rebatizada no Brasil pela família Gracie após a épica luta entre o professor Helio e Masahiko Kimura. O judoca japonês da escola Kodokan era um fenômeno em sua modalidade, sendo considerado o mais jovem godan (quinto dan na faixa-preta) da história daquela arte.

Mundialmente conhecido em uma época que não existia internet, em 1951 veio ao Brasil para enfrentar o mirrado e destemido Helio Gracie. Havia considerável diferença de tamanho, peso e idade entre os dois e mesmo assim o patriarca da família mais famosa das artes marciais brasileiras resistiu por 13 minutos ao chamado “gigante japonês”, antes de sucumbir à eficiente chave de ombro.

Dali em diante, o golpe passou a ser chamado, dentro das academias de Jiu-Jitsu, como kimura, uma alusão a um dos poucos lutadores que conseguiu vencer o pequenino Gracie. (Confira a técnica, a seguir.)

O segundo golpe que lembramos aqui também foi batizado com o nome de um judoca, mas dessa vez um brasileiro. Se numa competição o seu professor disser a você para tentar o sode guruma jime, provavelmente você ficará perdido, sem saber o que fazer. Pois esse é o nome japonês do que aqui conhecemos como estrangulamento ezequiel.

Ezequiel Paraguassu é um grande judoca brasileiro que participou das Olimpíadas de Seul-1988 e Barcelona-1992. Antes de embarcar para os Jogos na Coreia do Sul, o lutador brasileiro decidiu afiar suas técnicas de solo e para isso procurou a academia do grande mestre Carlson Gracie.

Contrariando uma das grandes premissas do Jiu-Jitsu, que diz que o lutador por cima precisa transpassar a guarda do oponente para conseguir a finalização, Ezequiel fez muitas vítimas nos treinos ao aplicar o sode guruma jime de dentro da guarda.

No judô, o golpe não ganhou tanta popularidade pois a restrição de tempo para o combate no solo inibe um pouco a sua aplicação. No Jiu-Jitsu, sem essa problemática, a técnica ganhou força e foi amplamente disseminada. O curioso foi que Ezequiel mudou-se depois de disputar as Olimpíadas para a Suíça, de onde não fazia ideia que seu nome era largamente associado ao golpe nas academias de Jiu-Jitsu do Brasil afora.

Cerca de 19 anos mais tarde, ouviu de um outro professor, durante uma competição, a instrução para que o aluno arrochasse um “ezequiel”. Foi então que aqueles períodos de treino em Copacabana, na rua Figueiredo Magalhães 414, vieram a sua mente. (E você, sabe encaixar o golpe do Sr. Paraguassu? Confira abaixo.)

Por fim, a famosa guarda com gancho De la Riva é um dos grandes marcos do Jiu-Jitsu moderno. Lapidada instintivamente por Ricardo De la Riva, ela ganhou fama após ser usada contra Royler Gracie, até então invicto no peso-pena, durante a Copa Cantão de 1986. Assim como as demais posições, este estilo de guarda já havia sido verificado no judô, mais precisamente o do estilo nonatei.

Assim, Kimura, Ezequiel e De la Riva são nomes que trazem consigo mais do que uma referência técnica, carregam um pouco da boa história do Jiu-Jitsu. E você, amigo leitor, gosta de aplicar algum deles durante o rola? Relembre por fim a guarda De la Riva, e bons treinos!

https://www.youtube.com/watch?v=qaAveF8k8fw
* Willian von Söhsten é formado em jornalismo e direito, com pós-graduação em semiótica. É faixa-preta de Cícero Costha e professor de Jiu-Jitsu na academia Team Nogueira, em Ribeirão Preto, SP.

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On October 23, 1951, Helio Gracie fought Masahiko Kimura at the Maracanã Stadium, in Rio de Janeiro, Brazil.

Helio eventually lost to the Japanese champion, finished with a shoulder lock that later would be named after Kimura.

Despite the adverse result, the match was a huge factor in the building of the legend around Jiu-Jitsu and its effectiveness as a self-defense tool.

Helio was many pounds lighter than Kimura and much older.

The Japanese said before the match that Helio would not last three minutes against him and if he did he could be considered victorious.

Well, Helio survived the ten minutes of round one and also a big chunk of round 2 before the submission came to be.

Masahiko Kimura e Helio Gracie nos anos 50.

Masahiko Kimura faleceu no dia 18 de abril de 1993.

No 20º aniversário de sua morte, celebramos a importância deste judoca japonês que veio para o Brasil nos anos 50 e se tornou parte da história do nosso Jiu-Jitsu.

Confira um vídeo raro, com imagens de uma luta entre os lendários Helio Gracie e Masahiko Kimura.

Kimura and Helio in the 50’s

Masahiko Kimura passed away on April 18, 1993.

In the 20th anniversary of his death, we celebrate the importance of the Japanese judoka that went to Brazil in the 50’s and became part of the history of Jiu-Jitsu.

Here is some rare footage of the legendary Helio Gracie vs. Masahiko Kimura match.

Luiz Mendes com o locutor José Carlos Araujo. Foto: Divulgação.

Falecido no fim do mês passado, o jornalista gaúcho Luiz Mendes (1924-2011) foi lembrado por toda a imprensa brasileira pelos serviços prestados ao futebol. Mas o comentarista também foi ligado às lutas, nos áureos tempos.

Luiz Mendes esteve presente na clássica batalha de Jiu-Jitsu entre Helio Gracie e Masahiko Kimura, no Maracanã, cobrindo o evento pela Rádio Globo. E foi até o Zaire narrar a luta de boxe entre o desafiante Muhammad Ali contra o campeão George Foreman, como a GRACIEMAG contou em outubro de 2004, sete anos antes do falecimento do jornalista.

“Foi uma luta tremendamente parelha, mas em que o Ali foi muito superior tecnicamente e ganhou de forma indiscutível, ficando assim com o título mundial. O povo do Zaire estava eufórico, porém não dividido, pois havia mais torcida para o Ali do que para o Foreman”, lembrou Mendes, que chegou a comandar um programa de boxe nos anos 1970 na TV Rio, o “TV Rio Ringue”, com a participação de Léo Batista.

“Quando voltei ao Brasil, encontrei o povo aqui elogiando muito o novo campeão. Naquela época o interesse dos brasileiros pelo boxe era muito grande. Torci intimamente pelo Ali, por simpatia”, disse o hoje saudoso “Palavra Fácil”.

Luiz Mendes with anchorman José Carlos Araujo / Publicity photo

Having passed away last last month, journalist Luiz Mendes (1924-2011) was remembered by the entire Brazilian press for his service to soccer. But as a commentator he also dealt with fighting, way back when.

Luiz Mendes witnessed the epic Jiu-Jitsu battle between Helio Gracie and Masahiko Kimura in the Maracanã stadium, covering the event for Rádio Globo radio station. He also went all the way to Zaire to commentate in coverage of the boxing bout between then world champion George Foreman and challenger Muhammad Ali, as GRACIEMAG recounted in October 2004, seven years before the journalist’s death.

“It was a very evenly matched bout, but one where Ali was technically superior and that he clearly won, thus taking the world title. The people of Zaire were euphoric but not partisan, as more of them were cheering for Ali than for Foreman,” recalled Mendes, who went on to anchor a show on boxing for TV Rio network in the 1970s, called “TV Rio Ringue,” on which Léo Batista participated.

“When I got back to Brazil, I found the people here heaping praise on the new champion. At that time Brazilians were very interested in boxing. I personally cheered for Ali, out of sympathy,” said the late writer.

http://www.youtube.com/watch?v=SZM_r-LhABw

http://www.youtube.com/watch?v=SZM_r-LhABw

Sixty years ago, on October 23, 1951, arguably the most important fight in Jiu-Jitsu history took place in Rio de Janeiro. The fight was held at Maracanã Stadium, the largest in the world at the time, built to host the 1950 soccer World Cup and with a capacity of over two hundred thousand people.Understanding the magnitude of Gracie vs. Kimura requires a look back at Helio Gracie’s victories against Japanese champions and the Gracie brothers’ resistance to the imposition of judo practiced as a sport in place of training Jiu-Jitsu as martial art.

Helio and Kimura

At the end of the 19th century, Japanese immigrants began to travel the world and spread the ancient fighting system denominated Jiu-Jitsu. This initial dissemination was done in a disorganized fashion, as Japanese practitioners took part in exhibitions and taught their own style to international students throughout the world. As the Japanese government realized the tremendous international interest in their national martial art, they appointed the founder of the Kodokan Institute, Jigoro Kano, to organize Jiu-Jitsu as a sport and take control of the international dissemination of Jiu-Jitsu, which had recently been renamed “judo” by Jigoro Kano.

Brazil represented one of the greatest centers for Jiu-Jitsu dissemination since a vast number of Japanese citizens migrated from Japan to Brazil. This exodus of Japanese immigrants occurred after a treaty was signed by the Japanese and Brazilian governments to bring Japanese workers to help at Brazilian coffee plantations in the state of São Paulo. Today, Brazil has the highest number of Japanese people outside of Japan. In order for the Japanese Jiu-Jitsu fighters to maintain their supremacy abroad, they needed to dominate local practitioners on the mat. In Brazil, this was made very difficult by a young and skinny Brazilian Jiu-Jitsu fighter named Helio Gracie. Between 1932 and 1936, Helio fought the best Japanese fighters to visit Brazil and remained undefeated. For instance, he defeated Masagoishi by armlock and famous Japanese champion Taro Miyake by choke.

These victories caused a delegation of Japanese masters including Sumiyaki Kotani, one of the highest authorities in Japan, to come to Brazil and promote Helio Gracie to fourth-degree black belt in judo and attempt to convince him and his brothers to follow the Japanese modern sportive system – judo. They also invited Helio to participate in a judo tournament in São Paulo in order to introduce him to the modern rules, which included a point system. This represented a substantial alteration of the original system they had learned from Mitsuyo Maeda, which predicated that a match could only be decided by submission or loss of consciousness. The new judo rules kept the matches standing and minimized the importance of ground fighting.

In addition, the new Japanese Jiu-Jitsu, which they called judo, de-emphasized self-defense techniques and favored the practice of Jiu-Jitsu only as a sport. The Gracie brothers did not feel that the Japanese were technically superior to them, given their observations and Helio’s victories, and were very successful teaching their own modernized and efficient method of street self-defense. Consequently, they decided to maintain their independence from the Japanese and continue to teach their own method of Jiu-Jitsu. As the Japanese colony in Brazil tried to promote the sport of judo, they ran into resistance from the Gracie brothers, who accused them of hiding the martial secrets of Jiu-Jitsu from international students. The Japanese felt that the only way to quiet the annoying opposition by the Gracies was to find someone who could challenge and defeat Helio Gracie, who had retired in 1938 due to a lack of competent opponents.

So in November of 1950, Helio Gracie was asked by a Japanese emissary if he would accept an offer to face a Japanese champion from Japan. When he responded, “It would be a pleasure,” he suspected that soon he would be surprised by the visit of a Japanese champion. This occurred on July 18, 1951, when local Japenese-language newspaper “São Paulo Shimbum” announced that the World Champion, Masahiko Kimura, who is still considered by many to be the best judo fighter of all time, was coming to Brazil to fight. The newspaper invested the equivalent of more than US$ 100,000 to bring the Japanese team over. One week later, on October 25, Kimura arrived in Rio accompanied by sixth-degree black belt Yamaguchi and fifth-degree black belt Yukio Kato, who he described as being the second and third best judokas in Japan. On that Wednesday afternoon, Helio Gracie was teaching class and received a phone call from the largest Brazilian newspaper, inviting him to come meet the Japanese champions who were on their way from the airport for an interview. Helio Gracie rushed to the headquarters of “Diario da Noite” and arrived in time to meet Kimura. Both fighters accepted the idea of a match as proposed by the journalists. Kimura was supposed to go to São Paulo the next day for a series of demonstrations and Helio promised to go there with his brother Carlos Gracie in order to discuss the details for their match. On Friday, August 10, the Gracie brothers met with the Japanese delegation and were told that instead of Kimura, Helio would first have to face Yukio Kato, a 22-year-old weighing 154lbs. They argued that in the case of a defeat against Kimura, Helio would use the weight difference of more than 70 lbs as an excuse. Against Kato, who was only 15 lbs heavier, the Japanese fighter would be able to establish the superiority of their method beyond any doubt. In light of the Japanese demands, Helio accepted the challenge and a match was scheduled for September 6 in Rio de Janeiro.

On Thursday, September 6, 1951, Helio Gracie and Yukio Kato met at Maracana stadium, and the match was declared a draw after three 10-minute rounds. Kato was more aggressive in the first round and attempted to knock out Gracie with powerful throwing techniques. Helio demonstrated great defense and started to take the offensive in the second round by bringing the fight to the ground. Although Helio had sustained a broken rib two weeks before the fight, he dominated the third round and only narrowly missed victory (instead of the draw that the match was declared) because Kato escaped off the mat three times to avoid Helio’s chokes. Kato became so impressed with Helio’s techniques that he said after the fight that Helio could consider himself a world champion in groundfighting since he felt that even at the Kodokan he wouldn’t find a fighter of his weight who could defeat him on the ground.

Not satisfied with the result, Kato challenged Helio to a remach in São Paulo. This time the match would take place in a ring with ropes to avoid any escapes. On Saturday, October 29 Kato and Gracie fought for the second time, at Pacaembu Gymnasium. Fighting in a ring, Kato could not escape and, after a couple of spectacular throws, attempted to finish the fight on the ground with a choke while passing the guard. Gracie felt the pressure, as he admitted after the match, but managed to roll out of it. Using his flexibility, Gracie recovered the guard and applied a front choke from his back that rendered Kato unconscious eight minutes into the first round. The result of this fight repeesented a glorious moment in Helio Gracie’s career, as he proved that his Jiu-Jitsu could not be considered inferior to the Japanese.

To restore the tarnished reputation of judo, Kimura finally challenged Helio Gracie to a match and promised to win “on the first grip” with a devastating throw. Helio responded that he could resist any throw and promised not to pull guard in order to prove his point. Kimura then said that if Gracie lasted more than three minutes he could consider himself the winner. And so on Tuesday, October 23, 1951, Helio Gracie stepped onto the canvas tarp covering part of the Maracana Stadium soccer pitch, to face the best heavyweight in the history of judo, Masahiko Kimura. Helio weighed in at 139 lbs against Kimura’s 210lbs. Kimura was four years younger and 71 lbs havier than Helio Gracie. Kimura immediately threw Gracie with an osotogari and did not encounter much difficulty in passing Gracie’s open guard. However, once he landed in side-control he could not find an opening through which to finish the fight. In an interview before the fight, Helio Gracie demonstrated Kimura’s favorite armlock, which is known today as the Kimura lock, and said that he was training rigorously to defend it. And indeed he stopped it several times. But Kimura was very experienced and knew that if he kept using his strength advantage to force the lock on Gracie’s left arm, eventually he would fatigue and give in. This process only worked in the third minute of the second round, when Kimura was able to establish his grip from the North-South position. Kimura then positioned himself to finish the lock and slowly applied pressure. Helio’s amazing flexibility created a scary scene that made it seem that his arm could break at any moment. Thinking that his brother would not tap out, Carlos Gracie ran onto the mat and pushed Kimura, interrupting the fight. Carlos was restrained by an athletic commission official, and the referee indicated that the fight should continue since Helio didn’t tap. Helio, however, asked the referee to raise Kimura’s arm, since he would not contradict his brother’s decision to stop the fight. As one can see by examining all the newspapers of the time, Helio Gracie’s arm was not broken as Kimura would claim many years later in his autobiography. In fact, there is a picture of Gracie in the shower moments after the fight, with his left hand on his head, clearly demonstrating that his left arm was not injured. After the fight, Kimura publically recognized the uniqueness of Helio Gracie’s technique on the ground and invited him to come teach in Japan.

Anyone who knows Jiu-Jitsu understands the extreme difficulty of withstanding a technical opponent with a 70-pound weight advantage for 13 minutes. This amazing feat, which was recognized by Kimura himself, was only possible due to the revolutionary defensive strategy developed by Helio Gracie, which prevented Kimura form executing his finishing holds even though he always held dominant positions. Although Gracie was defeated, this fight represented the definitive independence of Gracie Jiu-Jitsu from Japan. From that point forward, Helio Gracie was sure that his reinvention of Jiu-Jitsu was superior in many ways to the original Japanese method, and he and his family forged ahead with the process that led to the international acceptance of Gracie Jiu-Jitsu’s superiority as the most complete and effective fighting system in the world.